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★★★★★
“Kay Brattan has directed this piece with incredible nuance and precision.” THEATRE AND TONIC Portia’s Julius Caesar READ REVIEW → |
★★★
“Kay Brattan directs the show and uses the space and lighting well, giving the actors plenty of room to move, sing and dance.” LONDONTHEATRE1 Love You More READ REVIEW → |
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★★★★
“The comedy is what makes Party Favour work so well… physical humour works alongside quick, well-judged lines.” THE SALTERTON ARTS REVIEW Party Favour |
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★★★★
“The result is an imaginative staging that blends horror aesthetics with comedic punches.” LATINO LIFE Witch Girl Summer ★★★★
“The clarity and focus of delivery ensure that we remain gripped and transfixed throughout.” THE PEG Mary's Daughters |
★★★★
“It burns brightly, much like the hope that appears to be lingering in the flames.” EVERYTHING THEATRE We'll Burn That Bridge When We Get To It ★★★★
“The actors are on their comic A-game. Love You More is a delightful play!” A YOUNG(ISH) PERSPECTIVE Love You More |
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EVERYTHING THEATRE
Glass Skin and Human Limbs The Horrific Catharsis of Witch Girl Summer On horror, grief, bodies and building the theatrical language of Witch Girl Summer. READ → |
EVERYTHING THEATRE
Oh, Canada! On Canadian theatre, Little Lion and creating a space for Canadian stories in London. READ → |
BEYOND THE CURTAIN
Don’t Panic In conversation with Taylor Carmen, Gabrielle-Norma Griffin and Kay Brattan about collaboration, hope and creating the production. READ → |
Portia's Julius CaesarProduction Trailer
The Space · 2024 |
Mary's DaughtersProduction Trailer
The Space · 2024 |
Reading CankarInternational Roundtable Discussion
A conversation with international theatre practitioners about staging and interpreting the work of Ivan Cankar. |